I seem to have a thing for being inspired by workplaces…Madcap Library came out of a previous library (although without the Sloth, sadly) and I’ve spent the last few days being inspired by my current one – or, more accurately, by the people in it.
The original inspiration came from thinking about books as spells, and working the words into an intricate illusion to delight the reader…and then I started thinking about the people, and putting them into a fantasy setting. While I still want to write something using the book-illusion idea, the people one spiralled on me! I’ve taken an aspect of some of my colleagues, and built a fantasy character around it. That said, for anyone reading who might recognise themselves, it’s definitely not intended to be true to life! The core might be one aspect, but I’ve then bounced off in a completely different direction – and I hope you find them entertaining.
The journeyman had walked miles in his previous life, speaking to every spirit, rock, mountain, plant. Some joker had put a spell on his tea-mug to make it walk when it was empty, and so he spent many hours wandering around the office in search of it. “Why did you leave?” I asked him, meeting him in the potions cupboard on one of his frequent excursions.
“They hate us,” he confided. He smiled often, but it rarely reached his eyes. “We’ve put so much pain and mess into them, and they have nothing but dislike. I keep trying, but it’s hard.”
He was a wizard of some fearful power; and yet he was a far cry from those power-hungry and rapacious seers I had known before. He filled the office with snatches of song to speed our work, and charm-spoke anyone who came by, making them smile and bow to him with the most willing of hearts. He was a word-weaver of considerable talent, yet one who spent his days helping others with their own spells. He spoke frequently of the world outside, and with the wisdom and foresight that spoke of long hours of study in a previous life – and yet he would often be the source of the frequent laughter rising into the ceiling-panels, ringing out into the still air and making the space above our tables shimmer and shine.
She was a weaver of spells and illusions, and of more practical things – she could turn the most chaotic of tresses into beauty as easily as she could fix a broken spellwork, turn raw ingredients into delicacies as simply as she brought order to a vision. But those around knew to tread carefully: the spells that turned so casually to beauty could also be turned to chaos, and one did not step within her reach if the air was dark.
An illusionist, he spun the most elegant of clothing, the most dreaming of landscapes, the most terrifying of monsters. He could pick your face out of a blank pad and capture your spirit in nine brush-strokes. He was a creature of sunshine and air, moving with a grace and surety that made the breezes dance around him, bringing light and life to the room anytime he smiled.
“Why here?” I asked him, gesturing to the sterile box around us, filled with bent workers and the hum of magical suppressants.
He shrugged. “Where else should I have gone?”
The photographer was one of the first people we met on entering the company; and yet he was unassuming, hiding behind the camera, counting on his diffident air to grant him anonymity. Despite his care, I heard the rumours; he could kill a person in four different ways before their potion had finished brewing; could play any instrument handed to him, charming the creatures out of the trees with it; and could disappear from notice at will, even in an empty room.
His true role was always given as a simple “community support”. If he travelled for occasional periods of time, and at similar times the most vocal disapprovers of our work unexpectedly changed their tone or took refuge in silence, what of it?
The fortress has only come under attack once, and it is now the stuff of legend – half truth, half myth, both woven together into a morass of glorious grandeur and terrible feats, raw courage and horrific slaughter.
But those who were there, who remember, carry the scars. And they do not speak of it.
He never changes place, despite eloquent speeches and logical plans; first in from the door, and facing anyone who enters. A necromancer, they say, or an enchanter: sly and cunning with his strategies, ruthless when provoked, and rarely speaking of anything beyond his current work. But take one look at his desk, and one may find a hint of what lies behind the calculating strategist: his walls are lined with tiny figures in rows, frozen into stillness, their weapons at the ready.
[I am having fun writing more – and they’re definitely a work in progress! Suggestions always welcome.]