On the naming of books

25/05/2014 07:33

Well, I met up with Sammy, my publisher and editor, on Tuesday to go through some preperation and plans for the Green Sky series – very exciting, but very nerve-wracking as well! I will do another post with some more thoughts on the changes she’s asked me to make, but she has also asked me to rename Changing Winds 1 and 2. I’ll admit that this is fair – I have been thinking about doing it ever since I split them into two books, but simply hadn’t sat down and thought about a name, so it was just the kick I needed!

 

The names I have at the moment are…

– Green Sky & Sparks

– Empty Skies & Sunlight

– Salt Winds & Wandering

– Desert Sands & Silence

“Green Sky & Sparks” came out of the fact that the world has green sky – simply because I wanted to be different at some point when I origially started writing (oh, teenagers…) and it stuck. The sparks refers to the electricity, but I also realised that it could refer to the relationship between Catter and Toru, and the fact there’s a love story at the centre of the book. So it’s a nice twist. I also liked the format of duh duh-and-duh, so I kept that for the next few titles…

When looking at the rest of the titles, I liked the idea of having the first part as a description, and the second as having a double meaning. Sparks refers to the love story; empty skies & sunlight has the idea of freedom and searching for something; salt winds & wandering is again freedom, searching, salt = tears (hence the move between salt winds and salt water that you may have spotted in the early posts); the silence in DS&S is both the desert and the main characters and the diplomatic situation.

I feel rather pretentious, putting extra meanings in my titles – it smacks of the English Lit stuff of “well, this is the author’s double meaning and this is the hidden message behind the words…” which I hated. But it is there; I do like having the double meanings and ideas. So meh to English Lit.

 

I need two more titles. Changing Winds 1 deals with a siege; Changing Winds 2 is much more an open battle and the diplomatic consequences. I sat down and brainstormed words, and then Jon trundled in to help…

The below are directly transcribed from my scribbles:

Lonely seas – Grey Cliffs & – Dance & defences – attack / retreat – lessons – changing tides – grey seas & – shadows- games – dark lands – conquest – endless plains – divided paths – grey waves – raids – swords / steel – storms – stone

 

And the eventual titles that we’ve come up with…

Grey Stone & Steel

Steel – metalwork, armour, imprisoned, fighting, military

Grey – dull, trapped

Stone – fortification, defences, hard

 

High Flight & Flames

High flight – freedom, uncontrolled fall, leap into the unknown?, technology, planes

Flames – fighting, burning, danger

 

There you go! I’ll be changing the titles shortly.

Desert Sands and Silence: Beginnings

29/04/2014 20:20

This is the (provisional) start of the first chapter…thoughts are welcome!
One step. And another. And another.
There was sand beneath her feet, which made every step harder.
Another step. Another step.
The crunch of rock came like a wave of relief, and she pushed back at it gratefully, feeling her leg muscles tense.
Another step, another step, another step, and then it was solid rock.
Moel didn’t even take a moment to breathe before she pushed herself forward again, step by step, into the harsh and empty desert.

There was screaming. There always was screaming. She didn’t even know what they were fighting about this time, although a few words came through above the noise of the city streets outside, and through the solidly closed door. She picked up her shoes, and began to brush the dust off them for the third time.
The voices rose again, sliding over the sound of a cart outside. The bristles moves smoothly over the leather and fabric. She’d have to repair that soon. There was a crash from something in the other room, and she gently tweaked one of the straps to check that it was holding firm. It was, which was good.
“-should never have let you live here!”
Her pack was next. She’d only repaired it recently, and the fabric was still holding up well. The water pocket inside was new, and she felt a small surge of satisfaction that she’d got a good bargain on it.
“Maybe if you didn’t spend so much time-”
The straps of the pack would be the next thing she would need to repair, although they weren’t close to fraying yet. She tucked the laces back into their clips, and then laid the pack down on the sheet next to the rest of her gear. Her clothes had already been brushed down and mended, and all she would need to do was get provisions.
“Why don’t you just leave? Get out of my life! I don’t need you and I don’t want you!”
“You always say that, and then you come crawling back-”
She realised that her hands were still, and began to shift her things into her pack. If she left now, she’d be able to get down to the dispatch office before the shift changed, and they’d have a run that she could take. They always had something available for desert runners.

Moel didn’t notice the cold, or the colours that began to stain the desert sky. It was only the rising light shining off the sand that broke her concentration, and she slowed from the fast, mechanical strides that had occupied the night. Her legs hurt. She could feel the muscles now, burning with their exertion. Her arms were tense too, and her chest was tight from the deep breaths needed to sustain her relentless pace.
She knew where she was, of course. She knew the route so well that she didn’t have to concentrate on it. Up ahead there was a pillar of rock with a series of small hollows in its base; the perfect refuge for desert travellers. The sun was beginning to burn off the morning chill from the sand dunes as she reached the hollow. The rock was still cold for now, and she carefully scouted the entire pillar before picking the least accessible cave, a little way up a narrow crevice in the side of the rock. Even if another traveller did come past – unlikely – most didn’t know of this hideout. She’d be secure for the day period.
As was her habit, she checked over her supplies and then slowly ate a portion of her rations, watching as the heatwaves began to dance over the dunes. This cave also had the benefits of a view out over the desert to the south, if she wanted it. She briefly checked the road for travellers before the mirages swept it away, and then shifted into the back of the cave to sleep.

Packing had been the easy bit. When she stepped out of the small room with her pack slung across her back, Reneé and Jacth were facing each other across the room with shards of pottery littering the ground between them. She guessed that Jacth had thrown the plate. He tended to throw things when he was upset.
“Mater, are you going already?” Reneé said, her voice still in the angry tones of the argument.
“I am.”
“You need to-”
“I don’t need to do anything.”
“So you’re just going to leave again?” Reneé shot spitefully.
“Yes.”
She’d got across the room by this point, and pushed open the door. There were voices behind her again, angry voices, but then the door shut and there was only the city noise in the street outside.

Noise awoke Moel from her slumber in the cool rock hollow. As soon as she opened her eyes, she knew that only a few hours had passed; it was still morning, although the fury of the sun made the distinctions between the times of day irrelevant. Either the sun was there, or it was not.
Voices were disturbing the silence of the desert; human voices, not the shrieks of the vultures or foxes. Someone was coming towards the rock pillar – no, several someones. Moel heard the sand crunch under their feet, interspersed with silences that were the rock patches. She guessed that they were doing the same as her, although their pace was off if they had only just got here.
“I don’t see why we couldn’t have brought a Fliyer to do this.” a voice said grumpily from below. Moel, secure in her invisibility, edged closer to the entrance of her cave. The voice had a Meton accent, which meant the traveller was far from home. And what was a Fliyer?
“Scope the land.” Another voice, this one rough from thirst. Did they not have enough water?
“Pick a cave.” a third voice barked. Moel froze. That was Ecthen, which meant that she was guiding the others. They hadn’t been in Huish, so they must have come from Belmont. What were they doing here?
The two voices below her fell silent and she heard them clunking around in the rock caves below her. From the sounds, there were…five? Six? And Ecthen, of course. A small party to be travelling…
“We’ll start again at dusk.” Ecthen said from below Moel, talking to the people in the cave. “I’ll wake you.”
“I’ll take a watch.” a second voice said quietly a moment later, and Moel froze again. Ray. Two guides for such a small party?
“Why?” Ecthen asked, her voice getting closer. Moel drew back. They’d stepped into the bottom of the gulley below her cave. There was silence for a moment, and then Ray said, “Ziricon.”
“What?” Ecthen demanded in a fierce whisper.
“There’s been a rumour.”
“They made peace. And they wouldn’t attack in Orei.”
“These people are important!” Ray shot back in the same fierce whisper. “They want technology, we’ve got the people who know how to use it-”
“Where did this rumour come from?” Ecthen snapped.
“Juviel.”
There was a long silence, and then Ecthen said, “All right. Wake me to do half the watch.”
Moel breathed out as she heard their footsteps retreat out of the gulley. Ecthen knew of the upper cave, but if they were on watch then they wouldn’t come up here. She heard footsteps crunch, and then the desert silence returned again. Moel wriggled back into her cave, and went back to sleep.

“I’ve got a run.” the Huish dispatcher said, examining the board as the sunlight began to fade into dusk. The streetlights had been lit, and black smoke was beginning to hover over the desert town.
“Where to?”
The dispatcher snorted. “Belmont, where else?”
“What for?”
“Package.”
“There and back?”
“No back yet, but there’ll probably be something when you get there.” The dispatcher pulled the thin package from the box behind the counter. “You want it?”
Moel nodded, and swung her pack off. “I’ll take it.”

Moel woke at dusk, sensing the cooling air as the sun fought to stay aloft. The mirages had gone with the sun, although the road was still hazy. Down below, everything was silent. She debated with herself for a moment, and then silently gathered her pack and swung down the gulley.
Ecthen had taken refuge in the cave nearest to the road, and spotted Moel as soon as the woman emerged from the rock crevice. Moel silently padded across, and nodded as she got close.
“Routine?” Ecthen asked quietly.
“Signal run. Who’re this lot?”
“Meton, for the power line.”
Moel nodded. “Slow.”
“They’re not trained. Road?”
“Clear.” Moel said. “Belmont?”
“Usual. Watch out for the rockslide halfway down the slide.”
“Thanks.” Ecthen nodded, and went back to her watch as Moel settled her pack and walked out into the evening light.

I have a name! and NEWS

22/02/2014 20:27

“I don’t know what this one’s called yet” has officially become “Desert Sands and Silence” or something along those lines…possibly “Desert Sands and Storms”. My names do tend to fluctuate a little until they settle in my head – Salt Winds did the same thing. I’m sticking with “Desert Sands” for the tags.

 

NEWS: ok, I don’t have news: I may have future news. I am waiting on official confirmation of something…Hah, who says I can’t write suspense?

I don’t know what this one’s called

21/02/2014 19:34

So, I’ve been trying to work out what the next book in the Greensky series is – it’s provisionally titled “I don’t know what this one’s called” (seriously, the word document is named that).  I’ve made a few decisions, but have a few more to make…

 

Setting

I know I want to set it somewhere I haven’t been yet. My world was planned out when I was little – I’ve got a map drawn on my dad’s art paper someplace – and weirdly, it’s worked so far. So, out of my worlds, I’ve set a lot in my rolling farmlands (Quorl –  Green Sky & Sparks  & Changing Winds), one book in forests (Salt Winds – ok, it’s mostly set on the sea, but it is set in Taderah), and one in tropical islands (Empty Skies & Sunlight, set in Tao).

So I have the choice of two deserts. One is complicated and rather nasty – they’re my industrial “baddies” in Changing Winds, and some of my tentative story (Freedom & Fire) is set there. Also, it’s not a society I really want to write about, which possibly explains the lack of work on Freedom & Fire…

Right! Orei it is, which I love. Most of it is desert, but has two beautiful cities – Belmont, which is golden and soaring, and Huish, a centre of learning. It’s also got some nice touches with pseudo-technology, and Anoe comes from there so it’s a ‘place’ in my head. So, bingo.

General events

It will run on from the rest of the series, so the next thing I wanted to deal with was the rise of technology (see this post for more details on a previous line of thought), but I think I’m avoiding dealing with it directly. So, I leave Meton and Toru to sort their own technological issues, and I have a look at what the influx of technology is doing someplace else. Orei’s a likely candidate: it’s just across the mountains from Meton, the two lands get on well, and it’s the sort of society that would welcome technology. Bingo number two.

People

I like to pull across one or two characters from previous stories into new ones. Yeo and Anoe came across from Greensky and Changing Winds respectively to Empty Skies; Obak (from Salt Winds) was originally in the start of Greensky. Toru and S’ian keep bouncing in and out, of course, but I would like to limit them if I can. I adore Toru but I feel like he might be getting over-used, and it seems unfair to keep dragging him away from his work: he’d be in Meton, designing, not running around Orei! So I am determined to keep both of my soulmates out of this one.

The one character I definitely want to pull across is an engineer from Meton, Alenna. She’s been met briefly in two books, but never in a major role. The other who is sitting in the back of my mind is a small boy, Hob, who was in Changing Winds, and he may or may not come across.

Apart from that, everyone’s going to be written as they come into my head! It’s quite fun, and I like the anticipation of meeting a new cast. It’s like meeting new friends.

Plot

I was driving back from Gloucester on one of my infrequent commutes, and it was dark: all I had was the road ahead, my headlights lighting it. And the first scene came: a boy, or a man, running – but not out of fear, not running away; he’s trying to get somewhere. So maybe he’s travelling; he works, on something that means he travels across the desert. Who is he? What is he doing? What effect would a new technology have on him?

Two: what technology? If Meton’s developing electricity, wind turbines, engines, batteries, radio (or at least morse) – what would come across first? And what would be the first priority? Would Belmont like it? Would the desert folk like it? What would it do to the workers who maintain the existing technologies?

 

Result:

A group of engineers from Meton come to Belmont to look at replacing or putting in a line across the desert, connecting Belmont and Huish – possibly electricity, possibly communication, I don’t know yet. My main character, who works with the current line and will be out of a job when the new one goes in, is assigned to guide them; the Meton engineers are led by an incredibly stubborn, undiplomatic twit (the sort you work with – you know the sort I mean. They’re usually your manager) who manages to get the group killed.

The guide is blamed; it suits Belmont to have a scapegoat, but Alenna is sent out to re-assess the situation and find out the truth. She’s dumped in the middle of a fraught situation both with the politics in Belmont and for the workers on the line. I haven’t entirely figure out anything past that, as it will most likely depend on who turns up in my head and what they do. But that’s the basic outline.

 

So there you go! That’s a rough summary of the layout and ideas I have for my new story (with the disclaimer that they will, of course, change a lot). But you read it here first, folks!