Tag Archives: gottakeepreading

Review: Summer’s End

Summer’s End by Adrian Tchaikovsky et al.

Summer's end coverSummer’s End wants to see the end of the world. It’s the country that can’t stand its own prosperity, the man who refuses to abandon his son, the rulers who refuse to give up their power or those who don’t know when enough is enough. Each and every story in this collection explores how golden ages end, how great civilisations fall.

Featuring stories from award winning authors such as Adrian Tchaikovsky, Gaie Sebold, James Brogden and Sarah Cawkwell, this strange and wondrous collection of world’s ending will make you thankful for what you’ve got.

So, confession time: I did beta-read Adrian Faulkner’s short story, Bastion, but it’s definitely as good the second time around! Adrian’s another Swindon writer and if you haven’t come across him, keep an eye on him @Figures or on his blog… Bastion is a thoughtful tale of cultures and independence, personality clash and the fall of a great civilisation. It’s an excellent start to the anthology, and is possibly my second favourite story. My favourite, possibly unsurprisingly, is Ancien Regieme by Adrian Tchaikovsky; an eerie and haunting take on the armies advancing on a city, and the last day of the occupants – and the lengths they take to avoid their fate.

Global Nerfing by Andrew Lawston is a fun take on the world of computer games from the point of view of an NPC – one of those eternal lingerers, there to provide clues and occasionally sword fodder. But what happens to them when the server gets shut down, and the game does dark? In a similar vein, The Last Song of Iranon plays on the trope of the necromancer from the point of view of the monsters; I loved the characters in this story, and the action is excellent.

The Chosen One by David Thomas Moore is an excellent take on the fantasy cliche of the hero, with an amusingly cynical explanation of the ongoing Heroic Battles. After Happily Ever by James Brodgen is in a similar theme, with an old king harking back to his adventuring days, and taking some rather more direct action to rid the kingdom of monsters – with possibly my favourite line of “get a dungeon, you two!”

Cadenza is a beautifully lyrical piece about the clash of technology and nature, the ebb and flow of the world. The Guardian’s Eye by Francis Hartley is an intriguing mix of mythology and technology, with an inventor trying to create a machine to house his dying body and his son trying to help, with some devastating results. The Last Stand of the Seelie is likewise an unusual take on traditional stories; the use of magic for darker purposes, and the measures a Queen will take to protect her peoples.

Stone Sunset by Gaie Sebold is a haunting, dark tale of fallen civilisations and old cultures, and the price that a tribe’s leader will pay to keep his values. Awaken by Jared Zygarlicke is another darker tale of forgotten magics and silent guardians that are possibly not what they seem…and the final story in the anthology, A Single Word Spoken by Brian Hamilton, is a thoughtful and eerie take on an attempt to reach God, the political machinations, and the consequences of a quest.

Overall, the anthology mixes light-hearted and darker stories to great effect, and the different takes on the fall of civilisations makes for thoughtful reading. A collection that#s worth picking up.

Review: The Malice

The Malice by Peter Newman

If you haven’t read The Vagrant, this review may contain spoilers. Also, if you haven’t read The Vagrant…go and read it!

In the south, the Breach stirs.

Gamma’s sword, the Malice, wakes, calling to be taken to battle once more.

But the Vagrant has found a home now, made a life and so he turns his back, ignoring its call.

The sword cries out, frustrated, until another answers.

Her name is Vesper.

I caught Fantasy-Faction saying they weren’t sure who to compare Peter Newman to. Well, for me, it’s China Mieville. It’s a weird, alien world with intriguing characters, twisted plots and gripping storylines. Nothing’s conventional, nothing’s cliché, and I love it.

The Malice isn’t quite as good as The Vagrant…but only in the sense that The Vagrant was a 5*, and this is 4.5*. It just doesn’t have that linear plotline, that gripping tension, that made me read The Vagrant from end to end in one sitting. But it’s as good for characters and for world-building, and I read it in two halves, so…it only loses a little! It’s as enthralling and as entertaining as the first.

It’s wonderful to see more of Vesper, and more of the same world we saw in The Vagrant. Vesper travels through the same territories, the same landscapes, as she heads towards the Breach – but her reactions are different, and I think that’s what I love most about this book. Vesper is a very different character to The Vagrant, and even with the Malice on her back, she carves her own path through the politics and problems that she encounters.

We also get more of the history behind the Shining City and the world; I’m really hoping this will all tie into the next book in the series, The Seven, released in April.

There’s also a short story to read after The MaliceThe Vagrant And The City. It definitely needs to be read after, and looks like it bridges the gap between The Malice and The Seven…with the additions of some extra characters and plot points which are quite exciting!

If you loved The Vagrant, you’ll love The Malice – and if you haven’t read either and want unique, character-filled, heart-tugging fantasy in a truly unique world…read these.

So many books, so little time…

So therefore I obviously need more. Duh.

This is a shout-out to two of my favourite bookshops – one physical one and one online one!

The physical one is Books on the Hill in Clevedon. I went there for Sophie’s book signing, and dropped in again on my way to a wool shop with a friend a few weeks ago. Ali’s lovely and the selection is always interesting, plus they do tea – what’s not to like? If you’re in the area then they do events, too. (Also, I am reliably informed that they’re setting up an online bookstore…watch their webpage for info!)

medusa books logoAnd the online one is Medusa Books, run by one of my lovely Swindon friends. They do classic sci-fi and board games, so if you’re into cheesy 80’s pulp or vintage sci-fi, check out their stock! It changes a lot so is worth keeping an eye on – they’re on Twitter too @medusabooks.

My reading list has already grown ridiculously…so therefore, of course, I’m currently re-reading Going Postal. To give myself some leeway, I have read 102 stories in the last week and have two-and-a-half novels sitting in my inbox, waiting for beta reading or editing. I’ve started working on Jonathan Strange & Mr Norrell again, plus some of the books on my Discoverability Challenge

That doesn’t mean I’m not browsing longingly, though!

Reading, reading and more reading

grimbold anthology coversI have one hundred and thirty-five submissions to read. One hundred and thirty-five. If we give an average length of, say, 6000 words, that’s 810,000 words. Considering some of the submissions are longer, it’s probably closer to 900,000 words. I’m reading a whole shelf of novels in short story form!

I am exaggerating slightly, I admit, as I’ve already read forty-five of the submissions. It’s just the rest that I have to work through…

Forty-something of the submissions are for an anthology that I’m editing along with Ellen Crosháin, Terra Nullius – so I actually get to make story choices for that one! The others are for two other anthologies, Infinite Dysmorphia and Holding On By Our Fingertips – as I’m one of the slush pile readers for Grimbold anyway, I’m being a reader for those to narrow down the submissions before the editors make their individual choices.

I love reading new subs, and this call has been really fun. The open calls tend to have a percentage of manuscripts that lose me some braincells when I try to read them, but all the stories for Terra Nullius have been fabulous, and I haven’t lost any brain cells so far! I’m really looking forward to seeing what else is in the pile.

This is why I love my job!

Review: The Vagrant

The Vagrant by Peter Newman

vagrant coverThe Vagrant is his name. He has no other.

Years have passed since humanity’s destruction emerged from the Breach.

Friendless and alone he walks across a desolate, war-torn landscape.

As each day passes the world tumbles further into depravity, bent and twisted by the new order, corrupted by the Usurper, the enemy, and his infernal horde.

His purpose is to reach the Shining City, last bastion of the human race, and deliver the only weapon that may make a difference in the ongoing war.

What little hope remains is dying. Abandoned by its leader, The Seven, and its heroes, The Seraph Knights, the last defences of a once great civilisation are crumbling into dust.

But the Shining City is far away and the world is a very dangerous place.

The Vagrant is trying to get himself to safety.

Oh, and a baby. And a sword. And a goat.

None of which entirely want to co-operate.

And there’s at least three parties out there who want what he’s carrying.

There’s spoilers later in this review, so I’ll put the overview in now: read this. It’s fantastic worldbuilding, brilliant multi-layered characters, a quest you’ll get hooked into, and I want to re-read. I love it. Read it.

So, more detail…

The world’s fantastic. The ‘baddies’ aren’t; they’re a product of their environment, understandable even as they destroy humankind’s world. The multiple different factions are all at cross-purposes, and their aims change. Even the ‘goodies’ aren’t; they have tried to keep their goals and ideals and ended up fighting a defensive action, unable to adapt to the changing world. The Seraph Knights are gone, and evil is all around – the taint has infected most humans and turned them into strangeness.

And in the midst of the weaving politics and changing landscape, between evil and uncaring humanity and people just trying to survive, the Vagrant is walking onwards.

The baby is adorable; I loved seeing her development and character, brought out so clearly. The book’s even more brilliant because the Vagrant doesn’t speak, and for most of it, the baby doesn’t either – their interactions are done entirely by movement and gesture and look. It’s such a lovely thing to see grow over the course of the events. The Vagrant’s interactions with the world around him are brilliant, too; weaving a path between honour and duty and pragmatism.

We get snippets of other information as we go through – the past and the present interweave so that we slowly learn more about what happened even as we see the effects. We also get the Uncivil’s point of view, the Commander, the Knights; we can see the enemy as well as the Vagrant, and it’s an extra layer of depth to understand what they’re aiming for, to see the unfolding plots and events on both sides.

And then, at the end…there’s more twists, changing aims, more politics. Nothing’s ever plain good or bad, black or white, and every choice has a consequence.

~ Spoilers!! ~

I think my only criticism is that it’s hard to warm to Harm, because I kept expecting him to be killed off. The earlier deaths are brilliant in the shock factor; the Vagrant just keeps going, forced to make horrible choices even though he tries his best to save others. But then when you get to Harm, I couldn’t take him seriously because I expected him to die…even at the end I didn’t think he’d survive.

I wanted the Hammer to survive, too. I liked her. That death felt like a cheat.

~ End of spoilers ~

But overall, I love it. It definitely needs a second read once the past and the present collide, and I’m really looking forward to it!